After his lover is killed in a jewelry store robbery, Jose romances cafe owner Ana, who's unaware he has other motivations.

In the aftermath of a terrible car accident, a man’s attempt to reclaim his life leads him to the perfect opportunity to enact revenge.

Series looking at the revolution in 20th century music. 　　Wrecking Ball 　　It begins by examining the shift in the language and sound of music from the melodies and harmonies of giants such as Mozart, Haydn and Brahms into the fragmented, abstract, discordant sound of the most radical composers of the new century - Schoenberg, Webern, Stravinsky and beyond. It examines how this new music was a response to the huge upheaval in the world at the start of the 20th century, with its developments in technology, science, modern art and the tumult of the First World War. Featuring performances of some of the key works of the period, performed by the London Sinfonietta, members of the Aurora Orchestra and composer and pianist Timothy Andres, the story of this episode in music history is brought to life through the contributions of the biggest names in modern classical music, among them Steve Reich, John Adams, Michael Tilson Thomas, Pierre Boulez, George Benjamin and Alex Ross, music critic of the New Yorker. 　　Free for All 　　Part 2 examines how the freewheeling modernism that had shocked audiences in the first two decades of the century came under state control. Initially, many practitioners thought the totalitarian regimes would be good for music and the arts. What followed in Germany was a ban on music written by Jews, African-Americans and communists, while in the Soviet Union there was a prohibition on music the workers were unable to hum. After the cataclysm of the 1940s, a new generation of composers - Boulez, Stockhausen, Xenakis, Nono, Ligeti - turned their back on what they saw as the discredited music of the past and tried to reinvent it from scratch. Or, at least, from serialism, which became as much of a straitjacket as totalitarianism's strictures had been. But from this period of avant-garde experimentation, which many listeners found baffling and terrifying, came some of the most influential and radical musical innovations of the century. 　　Easy Listening 　　Series concludes with the focus shifting to the United States in the post-war years of the 1950s and beyond. Beginning with arguably the most notorious work of 20th century classical music, John Cage's 'silent' composition 4'33", it looks at how a series of maverick Americans re-invented the sound of classical music into a more simple form, bringing back harmonies and rhythms that made it increasingly popular with audiences across the world. It also examines how this music found its way into a spiritual realm, with the strain of pared-down religious composition that came to be known as 'holy minimalism'. From the Maverick concert hall in Woodstock, New York to an Orthodox cathedral in Estonia to a car park in Peckham, south London, the story is told by a stellar line-up of contributors including Philip Glass, Steve Reich, John Adams, Arvo Pärt and John Tavener.

An amnesiac hospital patient is issued a life he doesn't remember. But soon he comes to suspect that he’s being manipulated in order to protect a powerful politician implicated in a murder.

After spending a decade in prison, a hitman learns that he has a daughter and just wants a chance at a normal life. But his former mob boss wants him back at any cost, sending merciless assassins after him.

One foggy spring day, the 12-year-old Hyeok-su meets the young Eun-hye and determines then and there that he will love her for the rest of his life. Many years later, Hyeok-su is preparing to enter college when he rescues a woman from assault. It turns out to be Eun-hye. Despite the passage of time, neither had forgotten the other and they renew their relationship. However, fate places another smitten man in Eun-hye's life. He is also determined that he will marry Eun-hye. Eventually, Eun-hye is forced to choose between them.

One foggy spring day, the 12-year-old Hyeok-su meets the young Eun-hye and determines then and there that he will love her for the rest of his life. Many years later, Hyeok-su is preparing to enter college when he rescues a woman from assault. It turns out to be Eun-hye. Despite the passage of time, neither had forgotten the other and they renew their relationship. However, fate places another smitten man in Eun-hye's life. He is also determined that he will marry Eun-hye. Eventually, Eun-hye is forced to choose between them.

Based on a mega popular bestseller of Korea, this drama is somewhat like the drama Snowman because of the fact that the step-sister falls in love with her step-brother and vice versa. Hyuk-soo is somewhat a cliched Korean character. Good at fighting and smart, but chooses the wrong path (almost as if he's forced to be a jopok); has morals; is loyal; and most importantly, loves one woman only. Eun-hae's mom and Hyuk-soo's dad, both widowed for a long time, fall in love and decide to get married before Eun-hae's mom dies. While this is going on, Hyuk-soo and Eun-hae meet. Automatically they know they are in love, but since they become family, Hyuk-soo looks at her in a way an older brother should ... or does he?

Busan local Tae Jung who is studying English in Seoul, and his roommate In Gyu meet a girl named Ji Hye. Next day, while waiting for Ji Hye's phone call, Tae Jung suspects that In Gyu's night out might have some connection to Ji Hye.